Wolverine #50 (1991) – Direct Edition

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Wolverine #50 (1991) – Direct Edition

Publisher: Marvel Comics | Release Date: January 1992 | Volume 1, Issue #50 (Direct Market)

Direct Edition. Shiva Scenario: Phase 3 of 3 - "Dreams of Gore!" Guest-starring the X-Men. Written by Larry Hama. Art by Marc Silvestri and Dan Green. Wolverine discovers the location where his memory implants were created. But when he gets there he also discovers the mechanical monster known simply as Shiva, a robot programmed to hunt and kill renegade members of the Weapon X Program. Featuring pin-ups by Bill Sienkiewicz and Jim Lee. 64 pages, FC NOTE: The astounding sequel to Weapon X from Marvel Comics Presents (1988-1995) #72-84.

Wolverine #50 (1991) – Direct Edition

Publisher: Marvel Comics | Release Date: January 1992 | Volume 1, Issue #50 (Direct Market)

Direct Edition. Shiva Scenario: Phase 3 of 3 - "Dreams of Gore!" Guest-starring the X-Men. Written by Larry Hama. Art by Marc Silvestri and Dan Green. Wolverine discovers the location where his memory implants were created. But when he gets there he also discovers the mechanical monster known simply as Shiva, a robot programmed to hunt and kill renegade members of the Weapon X Program. Featuring pin-ups by Bill Sienkiewicz and Jim Lee. 64 pages, FC NOTE: The astounding sequel to Weapon X from Marvel Comics Presents (1988-1995) #72-84.

Key Features:

Landmark 50th issue

Die-cut cover with faux file folder design

Reveals major elements of Wolverine’s hidden past

Introduces the concept of “Weapon X Files” and sets stage for deeper espionage themes

Key retcon issue in Wolverine lore – classified material hinted for the first time

Direct Edition identified by Spider-Man logo in barcode box

Story Overview:

Logan returns to Canada in search of answers to his fragmented past. This issue dives into the mysterious Weapon X program and Logan's time with Department H. Told through flashbacks and redacted “government files,” the narrative sets the tone for future arcs focused on memory manipulation and covert experimentation. Silvestri’s art blends raw energy with a subtle psychological tension, and the die-cut cover gives the comic a striking, dossier-like presentation.